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B.Y.O.Hackergrrrl. Digital, 2014.

Hacker-chick cliché paper-doll, for Entertainment Weekly.

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TTY Chimp. Digital, 2014

I wanted to draw an old Teletype, so I started drawing an old Teletype (a model 15 or 19 or thereabouts). Then I thought I could draw an ape operating this teletype, and I saw this advertisement, and everything just happened.

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Master Chief, digital, 2014

For the current issue of Entertainment Weekly (May 16, 2014).

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Leonardo (unfinished). Digital, 2014.

Part of a group picture I started a while back but haven’t made much progress on.

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Gavan Dynamic! (warm-up). Digital, 2014

I don’t usually try to do warm-ups because my brain rejects the idea of spending less than three hours on anything, but I tried one today. And I let it suck way too much time out of what should have been work-time.

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It’s Rudesday

TODAY IS RUDESDAY · IT IS THE DAY TO WRITE IN RUDIGRAPH · RELEASE YOUR UNPUNCTUATED THOUGHTS WITH ARTFUL PERSPICUITY


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In 2065, your off-the-grid hideout is still on-the-meshnet, and you never miss a gig of your favourite group — you’re there, in a cyberspace nightclub, with hundreds of others, all over the world.

Line-art for another Bleedback Kickstarter reward.

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In 2065, the filmmaker is the camera, and his crew are aerial drones.

Line-art for another Kickstarter reward for Bleedback #1.

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Pinhead. Ink, 2014.

One of a series of commissions for the Bleedback Kickstarter campaign.

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Hey, look, a diagram! Of a project that, sadly, I never finished. More info here.

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Looks really fun, but could you explain what this has to do with RMS ?

The cartoon was his idea; he just asked me to draw it. I’ve updated the caption on the picture to reflect that.


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Spanish Roulette. Digital, 2014.

If you’re wondering why Richard Stallman’s name is on the copyright notice, it’s because this cartoon was his idea, and he was nice enough to ask me if I would draw it for him. I said yes, of course. Herr Stallman is a gagster after my own heart.

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