This ain’t even good, but I made it, damnit.

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For The Hollywood Reporter last year. Something about Bob Iger, NFL, football blah blah… basically, Peter Cury asked if I wanted to draw a riff on the old Peanuts football gag and I thought, “UH, YEAH I DO.”

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For The Hollywood Reporter, prior to the 2017 Oscars, regarding the difficulties faced by films which release very early in the Oscar season.

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This was for Entertainment Weekly’s big end-of-the-year number. Jennie Chang was the designer on this one.

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This joke is about five years late, but here you go. ‘80s icon, and archetypal aesthete, Oscar Wilde gone vaporwave. But in a classic pen-and-ink rendering style, so it’s, like, paperwave.

Prints Available. 14 x 13" (35.5 x 33cm), Arches hot press rag, signed/numbered edition of 25: $35 USD.

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For The Hollywood Reporter. Last week’s issue, I think?

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MARRIED… in SPACE!

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Wasn’t a big seller with the kids for some reason.

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DC’s gonna be ringin’ me up any minute now, to breathe some new life into the franchise.

I’d also like to mention that the font is Sweetheart Script, which I’ve used before. I think it is simply one of the funnest fonts out there.

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For a Hollywood Reporter piece about Hollywood’s portrayal of women’s drinking habits.

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This is from about two months ago, for The Hollywood Reporter. The Mummy, The Invisible Man, and Frankenstein’s monster, all being “rebooted”…

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A piece for Entertainment Weekly. The piece as it appeared in print was a pink wash, and lighter – that was a good call by the magazine; it printed well and it looked better in the context of the magazine. This is how the piece looked when I first submitted it. A bit on the cold-and-bleak side which, y’know, is great for my tastes, but not great for every job!

Darn you, Reese Witherspoon (lower right). I was utterly defeated by your likeness.

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