Laemeur.com

LÆMEUR.COM

The Website of
Adam C. Moore/Læmeur
Ace doodler of the fantastical and the mundane

ILLUSTRATION ∙ COMICS ∙ SKETCHBOOK

DeviantART ∙ EIDEX(Blogger) ∙ From The Desk of...

Please address electronic mail to Laemeur at gmail dot com.

A and K. Digital, 2013.

K and Mr. Jumps. Digital, 2013.

Conopoly 2a. Digital, 2013.
The companion piece to Conopoly 1. This is an alternate, stripped-down version which appeals to my personal tastes.

Conopoly 1, Pen & Ink plus digital colour, 2013.
Something I put together for Volt 9000’s latest album, Conopoly. You can get it here when it comes out (should be around June 4th). I’ve done work twice before for the group, and each time Cory Gorski’s given me an extremely wide creative berth, and has handled my snail-like art production pace very kindly. Good bunch of guys.Also, the album’s fantastic. I still haven’t heard the last two tracks, but the first 4/5ths are top-notch. Had “Game of Drones” stuck in my head for about a week.

D33: Figure/materials study. Digital, 2013.
Prints for sale on deviantArt: http://laemeur.deviantart.com/art/D33-357559308

Tyrannosaurus Roget. Ink/digital, 2013.
The sun-glassed dino was rejected by a client, but I thought he was pretty cute, so I added some punny text and made this of him.
Prints for sale on deviantArt: http://laemeur.deviantart.com/art/Tyrannosaurus-Roget-357557353

Locked Car. Ink on Paper & Digital, 2013.
For those of you that haven’t heard, it’s illegal again in the United States to independently unlock new cellular phones from their providers. That’s the state of software copyright laws nowadays — stick some code in a device, tell the user that their use of the device constitutes consent to your licensing terms, and you can dictate what they’re allowed to do and not allowed to do with the device from then on. Brilliant!

Green Lantern vs. Wildfire. Digital, 2013.
This is for Jim Shelley’s blog, Flashback Universe. Last year he used an old Adam Strange drawing of mine to mock-up a cover for a Strange Adventures 100-Page Super Spectacular. This month he commissioned a new piece to do the same treatment on, and this is how it turned out. A good bit of fun. I always like having legitimate reasons (aside from personal taste) to restrict my colour choices to the classic 48-colour American comics palette.

Ted Nelson in 4 bits. Digital, 2013.
Not the most flattering portrait, but I thought it came out interestingly. Go buy his book. Somebody please give him ten million dollars so he can get a working Xanadu® system/operation running before he’s too old to enjoy it. And me. Do it for me, too.

K, D1N. Graphite, 2013.
Doodled a few faces today, just to get the wrist woken-up again.
This particular face is always a favourite of mine to try.

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